Italian Early Renaissance Painter, active 1475-1511 Bartolomeo di Giovanni, also known as Bartolommeo di Giovanni and as Alunno di Domenico, was an early renaissance Italian painter of the Florentine School who was active from about 1480 until his death in 1501. He studied with and assisted Domenico Ghirlandaio, painting the predella of Ghirlandaio's Adoration of the Magi in the Ospedale degli Innocenti (Foundling Hospital) in Florence, in 1488. Bartolomeo di Giovanni also worked under the guidance of Sandro Botticelli.  Related Paintings of BARTOLOMEO DI GIOVANNI :. | Predella: Marriage of Mary | Predella: Deposition wrf | St.Placid's Rescue | Madonna and Child En-throned with Two Angles,SS.Dionysius the Aereopagite and Dominic,Pope Clement,and St.Thomas Aquinas | Predella: Martyrdom of St John |
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Carlo Dolci
1616-1686 Italian Carlo Dolci Locations Italian painter. The major Florentine painter of the 17th century, he enjoyed an international reputation in his own lifetime. He was a gifted portrait painter and painted a number of large altarpieces, but his reputation is largely based on his half-length, single-figure paintings, characterized by their intense religiosity and meticulous technique. His mature style was complex and sophisticated. Intended for cultivated and aristocratic circles, his was never a popular art in any sense. Baldinucci described the painter tormented fantasy and dark fantasms, and his disturbed personality is evident throughout his work after the later 1640s.
Andrea Lilio
Andrea Lilio (1555/1570 - after 1639) was an Italian painter born in Fano, not far from Ancona, hence he also is known as L'Anconitano. Die Geschichte des Hl. NikolausHe painted mainly in his native city, as well as in Rome, where he was active from the beginning of the 17th century until around 1640. He was employed by Pope Sixtus V in the decoration of the library of the Vatican and in the decoration of the Scala Santa in San Giovanni Laterano. In the latter, he painted, Moses striking the Rock and Moses with the Brazen Serpent. Said to have been a pupil of Federico Barocci, he painted in a Mannerist style, already outdated in Baroque Rome at the time. Nevertheless, Lilio created a popular niche for himself by painting allegories for aristocratic audiences. In fact, it is altogether possible that Lilio collaborated for the illustrations of Cesare Ripa's Iconologia, which was a popular source for such motifs for a very long time. He died at Ascoli Piceno. In a chapel of the Chiesa Nuova, he painted The Archangel Michael driving fallen angels from Heaven. He continued to ornament churches and convents of Rome during the reign of Pope Clement VIII. One of his masterpieces, the Martyrdom of Saint Lawrence, was painted for Santa Caterina in Ancona. He painted the Christ Washing the Feet of His Disciples for the nave of Santa Maria Maggiore in Rome. He also was part of the team active in the painting of the Sistine chapel (chapel of Nativity) in Santa Maria Maggiore. For the cathedral of Fano, he painted a picture of All Saints.
Jacques-Emile Blanche
(1 January 1861 - 20 September 1942) was a French painter born in Paris. His father was a successful psychiatrist who ran a fashionable clinic, and Blanche was brought up in the rich Parisian neighborhood of Passy in a house that had belonged to the Princesse de Lamballe. Although he received some instruction in painting from Henri Gervex, he may be regarded as self-taught. He became a very successful portrait painter, with a style derived from 18th-century English painters such as Thomas Gainsborough as well as Edouard Manet and John Singer Sargent. He worked in London, where he spent time from 1870 on, as well as Paris, where he exhibited at the Salon and the Sociate Nationale des Beaux-Arts. One of his closest friends was Marcel Proust, who helped edit several of Blanche's publications. He also knew Henry James and is mentioned in Gertrude Stein's The Autobiography of Alice B. Toklas. Among the painter's most famous works are portraits of his father, Marcel Proust (Private collection, Paris), the poet Pierre Louÿs, the Thaulow family (Musee d'Orsay, Paris), Aubrey Beardsley (National Portrait Gallery, London), and Yvette Guilbert. He was the author of the unreliable Portraits of a Lifetime: the late Victorian era: the Edwardian pageant: 1870-1914 (London: J.M. Dent, 1937) and More Portraits of a Lifetime, 1918-1938 (London: J.M. Dent, 1939).